![]() ![]() The race of the unnamed man is disclosed when Iago yells to Brabantio, "An old black ram/ Is tupping your white ewe" (I:I:88-89). Iago describes that there were "Three great ones in the city/ In personal suit to make me his Lieutenant" (I:i:8-9) but the thus far unnamed Othello "Evades them with a bombast circumstance" (I:i:13) by instead appointing Cassio. The audience learns he is a man of high military rank who is an independent thinker. Shakespeare builds the anticipation of seeing this man through the vivid images which Iago and Roderigo use to describe him. Preconceived notions of the play being about a black man notwithstanding, the first impression of Othello is associated with the unnamed man that Iago and Roderigo are in the middle of slandering when the play begins. The eponymous character enters the play as an image rather than a physical presence. Through the use of language (specifically Iago, Othello, and Desdemona), Shakespeare propels the plot, engages the audience, creates dramatic irony, and reveals the characters' psyches. Shakespeare uses the language of the characters to achieve this multifaceted quality. As a result, the plot is linear, yet the play manages to maintain a multidimensional effect. Shakespeare's Othello (Shakespeare, 1604) is a tragedy that unfolds based on the actions and language of one character: Iago.
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